Friday, March 7, 2014

In the Name of the King 2: Two Worlds

The in name only sequel that nobody asked for and a film that dropped Dungeon Siege completely... only to make it much worse. This film makes the first look like the Lord of the Rings in both quality and scope. Let's not mince words here; whatever strained connections the first film made to Ehb would have been welcome in this cheap piece of garbage. I am literally convinced that they went to a Canadian RenFaire in the middle of winter to film the fort scenes, then took whoever was willing to LARP in the woods and made them into "actors" for the combat scenes.

For a film that supposedly cost 4.5 million USD to make, I cannot see the quality. As I said, everything reeked of being at a RenFaire, and not a good one at that. The sort of thing put on by community theater folks on their off days in the hopes of being better tavern wenches in whatever small gigs come their way. Actually no, the acting in this film is below even community theater; I really do think this was the first actual acting role that a lot of these people had. And if there is any justice, it will be their last.

Dolph Lundgren, who was about 54 at the time of release looked about 65 years in the role; I was honestly waiting for him to turn into a pile of dust at some point. From what I've read, his character is supposed to be an Iraq war (the most recent) vet, which makes me wonder if this is some kind of underhanded stab at the US military for being so undermanned that they needed to use a man who looked like he would explode into a fine powder the moment somebody so much as touched him. Being the main character in a fantasy film is not something he's made for; any role in which he talks is an iffy affair, and any role that has him trying to emote is basically doomed to failure. Yet I got to watch him try to cry and have survivors guilt over members of his team having died.

Now, let's talk about the setting of the film for a moment. I mentioned RenFaire. I mentioned Iraq. This is a mostly in name only sequel to a fantasy film. How does this all work? Time travel.

No, really. Time travel. Instead of being two different worlds, it is time travel. Via magic. You know, that supernatural force that we don't have in real life, yet in this film about a character from the real, modern world, he gets whisked away via magic time travel to the past where magic is very real. This also brings the tenuous connection to the first film into question, because that too featured magic and the Krug, who were basically Orc like beasts in a landmass that has never existed in reality at any point, in a kingdom that has never once existed.

It only gets worse when the dragon shows up. Yeah, dragon. Dolph Lundgren runs into a dragon, yet sadly doesn't fight it. And this is where I think most of the money went... well, other than the amount of drugs and hookers needed to make this film not seem like the worst possible idea to even the most starving, desperate for any kind of work "actor" that was in this film. The dragon was CG and it didn't look that bad; it was actually one of the better CG dragons that I have seen. Really, in what little screen time it had, the CG dragon worked well with the backgrounds and the people it interacted with. When it attacked the cardboard fort, it looked more like a real dragon than the fort looked like a real fort, to the point where I would honestly believe that dragons are real in this world while forts are some kind of fiction.

The story itself is pretty horrible, and in one sense totally reuses a plot point from the first film. But let's get to the end, because god knows besides the dragon, it might be the best part of the movie. The ending has Dolph "fighting" the bad guy, who was named Raven. A fat guy named Raven who was LARPing a king. Now, I hope I'm not rocking your world world when I say that the fat Raven is killed, because any man who comes up against Dolph, even if he looks 70, who isn't Rocky Balboa who makes the most cornball of speeches ever, has to die. But after the fact, I sat there and wondered just how he's going to explain the corpse to the cops.

I mean, he can't tell them the truth; to do so would just make him look like a madman. Even in his 50s, I don't think they would have bought self defense against this pudgy looking LARPer who seemed to be fresh out of a basement. But I very much like to imagine that after the credits he goes to jail on murder charges, and upon telling the truth, he's committed to an insane asylum for the rest of his days... and that gives me more enjoyment than the entire film ever did.

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